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This
is a mini-Forbidden City in layout, although it's far smaller and
the features are Manchti. The main structures were started by Nurhachi
and completed in 1636 by his son, Huang Taiji. It is currently in
the throes of restoration.
Straight through
the main gate at the far end of the courtyard is the main structure,
the octagonal Dazheng Hall with its coffered ceiling and elaborate
throne. It was here that Emperor Shunzhi was crowned before setting
off to cross the Great Wall in 1644.
In the courtyard
in front of the hall are the Banner Pavilions, formerly administrative
offices used by tribal chieftains. They now house displays of 17th
and 18th century military equipment such as armour, swords and bows.
The central
courtyard west of Dazheng Hall contains a conference hall, living
quarters and some shamanist structures (one Manchu custom was to
pour boiling wine into the ear of a sacrificial pig, so that its
cries would attract the devotees' ancestors).
The courtyard
to the western fringe is a residential area added on by Emperor
Qianlong in the 18th century, and the Wensu Pavilion to the rear
housed a copy of the Qianlong anthology.
The palace functions
as a museum, with exhibitions of ivory and jade artefacts, furniture,
and Ming and Qing paintings. There is also a decent display of enamels
and ceramics and an excellent collection of musical instruments.
Unfortunately, exhibit captions are in Chinese.
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